全然胸キュンではありません。又吉は出演させる必然性なし。（笑）
夫：リリー・フランキーの意見と妻：夏帆の意見は相容れません。過程を大事にする夫と結果を大事にする妻。自分の思いを大切にする夫と世間体を気にする妻。日本を二分している考えを代表していて、どちらもわかります。今のSNSの意見もその両極端です。どちらの考え方も誰だってゼロではありません。ただ、表面を見ていると（というか、大手マスコミを観ている限り）日本は自粛ムードが全面に出ていて、同調圧力が強く、違う意見（それは少数意見になってしまっているのですが）を潰すことにやっ気になっているように見えます。そこに欲求不満のはけ口を見出したかのように。
それを日本人特有の傾向だという説、日本文化の特殊性（島国根性、農耕文化、侵略されたことがない、など）はどうも信用できません。私が見てきた半世紀でも、日本人の思考は変わっています。だいたい日本だって欧米だっていわゆる近代国家（state）ができたのはつい100年〜200年のことです。ドイツだって、日本だってそれまでは多くの「国（邦、くに）」の集まりでした（江戸時代の「藩」というのは明治時代以降の呼称だそうですが、それをstateと訳さないのはとても意図的なものを感じます）。今でもドイツは連邦国（Land、Staat）、アメリカは州（state）の集まりです。アメリカが南北戦争（The Civil War）を行っていた頃、日本は明治維新で盛んに戦争していました。また、技術水準や自然環境要因に応じてどの世界どの時代でも一定割合の農耕民はいます。食料は足りなくてもいけないし、余っても意味がありませんから。日本でも、農業だけでなく、魚業、林業、狩猟があって成り立っていたことは文献を見なくても明らかです。
日本人は「島国根性」を持って生まれてくるわけではありません。歴史を背負って生まれてくるわけでもありません。外国で生まれ育った日本人が島国根性を持っていると思いますか。もし、日本の特徴を島国だと言うのであれば、むしろ「漁業文化」だと言うべきだと思いますが。なぜ「農業（農耕）」だけを過大評価するのかは別稿に。
「日本人がいるのか」という議論をする気はありません。民族というものもその固有性・恒常性は不明瞭です。端的に言えば、わたしたち人間の思考というものは作られたものであり、だから、いくらでも変えうるということです。記憶は常に失われます。むしろ、わたしたちは変わらないために日々、刻々、大変な努力をしているということです。変わってほしくない権力側の努力も大変なものです。人類は短く見積もっても数千年、その無駄な努力を続けてきたのではないでしょうか。
今にち、「新しい生活様式」を定着しようとしていますが、それは変わらない努力をしながら変えていくというとても矛盾した行為です。人々の分裂性がますますひどくなるでしょう。それは一面では個々人の中に、そしてそれは外化して正常と異常（狂気）として割り振られます。「自粛自警団」はその内面の外化以外の何者でもありません。
今は第2波の最中らしい。そして第3波が来るという予想も。そのような中でこの番組を放送した意味は大きいです（一回目は7月23日、二回目は11月6日）。みんな（制作側も、役者も、スナックも）頑張っているんだということを、考える機会を与えてくれるたことに感謝です。（NHKがイヌエイチケイかどうかはどうでもいい。）
ドラマの中では最後まで何も変わっていません。でも、希望はあります。みんなの笑顔です。役者の笑顔、製作者の笑顔、そして視聴者の笑顔です。それをマスクで隠すなんて、もったいないです。
「17歳のキス」について書くことを忘れていました。最後にちょっとだけ。福くんの言うことは意味不明です。どうして17歳なのかがわからない。でも、今はセックスができなくても二人の関係を維持するのに必死だということはわかります。みずきちゃんがいつか誰に惹かれて離れていくかもしれないという慧の気持は良くわかります。「キス」は「不要不急」でしょうか。セックスのとき、密を避けるためにキスしない？なんか「生殖のためのセックス」みたいでやだな。セックスそのものが不要不急かな。セックスしなくても死なないもんね。（「三密」ってわかるようでわからない。密閉、密集はある意味で数値化できます。その基準値は「誰か」が決めます。このドラマの一つのテーマです。でも、密接はよくわからない。数値化できないことだから。誰か説明してください。）
ネットで「不要不急って何、どういうこと？」って書き込みをよく見ました（過去形。「Go Toキャンペーン」をやりながら不要不急って意味不明だよね。Go Toキャンペーンからビジネスでの旅行、っていうか出張でしょ、は外されるとか。笑っちゃうよね。Go Toキャンペーンの意味がわかんなくなっちゃう）。大体、人の行動に優劣をつけようというのが支配者側の考え方です。あえて言えば、不要不急のことができるのは一部の金持ちだけです。みんな生きるために必要なことを必死にやっている。あなたのやっていることに不要なことなどないんですよ。それが「自由」の意味だから。
⟨impressions⟩
It's not a chest knuckle at all. Matayoshi does not have to appear. (Lol)
Husband: Lily Franky's opinion and wife: Kaho's opinion are incompatible. A husband who cherishes the process and a wife who cherishes the result. A husband who values his thoughts and a wife who cares about the world. It represents the idea that divides Japan into two, and you can see both. The current opinion of SNS is also the extreme. Neither way of thinking is zero for everyone. However, looking at the surface (or rather, as long as I'm watching the major media), Japan has a self-restraint mood, strong entrainment pressure, and different opinions (that is a minority opinion). It looks like I'm really curious about crushing). As if I found an outlet for frustration there.
I can't trust the theory that it is a tendency peculiar to Japanese people, and the peculiarities of Japanese culture (island country nature, agricultural culture, never invaded, etc.). Even in the half century I have seen, Japanese thinking has changed. It was only 100 to 200 years that the so-called modern nation (state) was established in Japan and Europe and the United States. Until then, Germany and Japan were a group of many "countries" (the "han" in the Edo period was the name after the Meiji period, but it is not translated as state. I feel very intentional). Germany is still a federal state (Land, Staat) and the United States is a state group. When the United States was engaged in the Civil War, Japan was actively at war during the Meiji Restoration. In addition, there is a certain percentage of farmers in any era in the world, depending on the level of technology and natural environmental factors. You don't have to have enough food, and it doesn't make sense to have too much. It is clear from the literature that even in Japan, not only agriculture but also fish, forestry, and hunting were established.
The Japanese are not born with "island nationality". It is not born with history on its back. Do you think that Japanese people born and raised in foreign countries have island nations? If you say that Japan is an island country, I think it should be called "fishery culture". The reason why only "agriculture (agriculture)" is overestimated is in a separate article.
I have no intention of arguing "Is there a Japanese person?" The uniqueness and homeostasis of ethnic groups is unclear. Simply put, our human thoughts are created and can be changed indefinitely. Memories are always lost. Rather, we are making great efforts every day to stay the same. The efforts of the power side, which we do not want to change, are also difficult. Human beings may have been making such useless efforts for thousands of years, even if it is estimated to be short.
Nowadays, we are trying to establish a "new lifestyle", but it is a very contradictory act of changing while making constant efforts. People's division will become more and more severe. It is, on the one hand, within the individual, and it is externalized and assigned as normal and abnormal (madness). The "self-restraint vigilante" is nothing more than the internal externalization.
It seems that it is in the middle of the second wave now. And the expectation that the third wave will come. Under such circumstances, it is significant that this program was broadcast (the first time was July 23, the second time was November 6). I am grateful for giving me the opportunity to think that everyone (the production side, the actors, the snacks) is doing their best. (It doesn't matter if NHK is InuHK or not.)
Nothing has changed in the drama until the end. But there is hope. Everyone's smile. The smiles of the actors, the smiles of the producers, and the smiles of the viewers. It's a waste to hide it with a mask.
I forgot to write about "17-year-old kiss". Just a little at the end. Fuku-kun's words are unclear. I don't know why I'm 17 years old. But now I know I'm desperate to maintain a relationship even if I can't have sex. I can understand the feeling that Mizuki-chan may be attracted to someone and leave. Is "kiss" "unnecessary and urgent"? When having sex, why not kiss to avoid denseness? It's kind of like "sex for reproduction". I don't need sex itself. You won't die without having sex. (I don't know because it seems to be "three dense". Sealed and dense can be quantified in a sense. The standard value is decided by "someone". It is one theme of this drama. It can't be quantified. Please explain to someone.)
I often saw posts on the internet saying "What is unnecessary and urgent?" (Past form. It's unclear because it's unnecessary and urgent while doing "Go To campaign". I'm going to be removed from my trip, or on a business trip. I'm laughing. I don't understand the meaning of the Go To campaign). Generally, the ruler's idea is to give superiority or inferiority to human behavior. Suffice it to say, only some rich people can do unnecessary and urgent things. Everyone is desperately doing what they need to live. There's nothing unnecessary about what you're doing. Because that is the meaning of "freedom".
It's not a chest knuckle at all. Matayoshi does not have to appear. (Lol)
Husband: Lily Franky's opinion and wife: Kaho's opinion are incompatible. A husband who cherishes the process and a wife who cherishes the result. A husband who values his thoughts and a wife who cares about the world. It represents the idea that divides Japan into two, and you can see both. The current opinion of SNS is also the extreme. Neither way of thinking is zero for everyone. However, looking at the surface (or rather, as long as I'm watching the major media), Japan has a self-restraint mood, strong entrainment pressure, and different opinions (that is a minority opinion). It looks like I'm really curious about crushing). As if I found an outlet for frustration there.
I can't trust the theory that it is a tendency peculiar to Japanese people, and the peculiarities of Japanese culture (island country nature, agricultural culture, never invaded, etc.). Even in the half century I have seen, Japanese thinking has changed. It was only 100 to 200 years that the so-called modern nation (state) was established in Japan and Europe and the United States. Until then, Germany and Japan were a group of many "countries" (the "han" in the Edo period was the name after the Meiji period, but it is not translated as state. I feel very intentional). Germany is still a federal state (Land, Staat) and the United States is a state group. When the United States was engaged in the Civil War, Japan was actively at war during the Meiji Restoration. In addition, there is a certain percentage of farmers in any era in the world, depending on the level of technology and natural environmental factors. You don't have to have enough food, and it doesn't make sense to have too much. It is clear from the literature that even in Japan, not only agriculture but also fish, forestry, and hunting were established.
The Japanese are not born with "island nationality". It is not born with history on its back. Do you think that Japanese people born and raised in foreign countries have island nations? If you say that Japan is an island country, I think it should be called "fishery culture". The reason why only "agriculture (agriculture)" is overestimated is in a separate article.
I have no intention of arguing "Is there a Japanese person?" The uniqueness and homeostasis of ethnic groups is unclear. Simply put, our human thoughts are created and can be changed indefinitely. Memories are always lost. Rather, we are making great efforts every day to stay the same. The efforts of the power side, which we do not want to change, are also difficult. Human beings may have been making such useless efforts for thousands of years, even if it is estimated to be short.
Nowadays, we are trying to establish a "new lifestyle", but it is a very contradictory act of changing while making constant efforts. People's division will become more and more severe. It is, on the one hand, within the individual, and it is externalized and assigned as normal and abnormal (madness). The "self-restraint vigilante" is nothing more than the internal externalization.
It seems that it is in the middle of the second wave now. And the expectation that the third wave will come. Under such circumstances, it is significant that this program was broadcast (the first time was July 23, the second time was November 6). I am grateful for giving me the opportunity to think that everyone (the production side, the actors, the snacks) is doing their best. (It doesn't matter if NHK is InuHK or not.)
Nothing has changed in the drama until the end. But there is hope. Everyone's smile. The smiles of the actors, the smiles of the producers, and the smiles of the viewers. It's a waste to hide it with a mask.
I forgot to write about "17-year-old kiss". Just a little at the end. Fuku-kun's words are unclear. I don't know why I'm 17 years old. But now I know I'm desperate to maintain a relationship even if I can't have sex. I can understand the feeling that Mizuki-chan may be attracted to someone and leave. Is "kiss" "unnecessary and urgent"? When having sex, why not kiss to avoid denseness? It's kind of like "sex for reproduction". I don't need sex itself. You won't die without having sex. (I don't know because it seems to be "three dense". Sealed and dense can be quantified in a sense. The standard value is decided by "someone". It is one theme of this drama. It can't be quantified. Please explain to someone.)
I often saw posts on the internet saying "What is unnecessary and urgent?" (Past form. It's unclear because it's unnecessary and urgent while doing "Go To campaign". I'm going to be removed from my trip, or on a business trip. I'm laughing. I don't understand the meaning of the Go To campaign). Generally, the ruler's idea is to give superiority or inferiority to human behavior. Suffice it to say, only some rich people can do unnecessary and urgent things. Everyone is desperately doing what they need to live. There's nothing unnecessary about what you're doing. Because that is the meaning of "freedom".
[スタッフ・キャスト等]
演出：井上剛
制作統括：篠原圭
プロデューサー：家冨未央
脚本：又吉直樹
音楽：大友良英
構成協力：岩井秀人
うた：のん
＜出演＞
リリー・フランキー：河原満
夏帆：河原秋
小林勝也：河原八郎
鈴木福：河原慧
茅島みずき：柚木夕香
りり花：河原唄
安藤玉恵：演歌歌手
平原テツ
五島百花
平田敦子
大水洋介
梶原善：白井邦夫
でんでん：大森吾郎
片桐はいり：河原千代
▽コロナ禍でのドラマ制作の舞台裏と、そこから生まれる新しいドラマ！
新型コロナ対策以前は“密”であり続けてきたドラマの撮影現場。
多くの人が関わり、１カット１カット映像を作る･･･ドラマの制作現場は、長年“密”であり続けてきた。それが、コロナの感染拡大で一変。今、あらゆる作品が、新しい考え方とやり方でドラマを作る事を求められている。
この番組は、又吉直樹さんのオリジナル脚本による“新たなドラマ”が生まれるまでの人間模様を追ったドキュメントと、その結晶として生まれる“ホームドラマ”の二部構成のＴＶショー。ドラマはホームドラマのセットを使って、今最も撮影が難しい“家族一緒”のシーンを撮影。制限の多い、こんな窮屈な時にこそ誰もが見て切なくキュンとなる家族のドラマを届ける。
新型コロナ対策以前は“密”であり続けてきたドラマの撮影現場。
多くの人が関わり、１カット１カット映像を作る･･･ドラマの制作現場は、長年“密”であり続けてきた。それが、コロナの感染拡大で一変。今、あらゆる作品が、新しい考え方とやり方でドラマを作る事を求められている。
この番組は、又吉直樹さんのオリジナル脚本による“新たなドラマ”が生まれるまでの人間模様を追ったドキュメントと、その結晶として生まれる“ホームドラマ”の二部構成のＴＶショー。ドラマはホームドラマのセットを使って、今最も撮影が難しい“家族一緒”のシーンを撮影。制限の多い、こんな窮屈な時にこそ誰もが見て切なくキュンとなる家族のドラマを届ける。
TV
ドラマ
日本 Color
2020/07/23 | 木曜日 | 19:30～20:42 | NHK総合
[拡大] []
